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Middlemarch brought me here.

Was für ein wunderschöner, weicher Klang, auch ganz wunderbar gespielt! Hat mich aber eher an die höheren Lagen eiens Fagott erinnert, nicht an eine Mischung aus Oboe und Alphorn...

Best recording of this that I have found. Always beautiful, marvelous sense of structure, style and character. Rubinstein, Horowitz, Richter don't understand it this deeply.

Rough english translation of the video Note that I'm not a German speaker at all, so the automatic captions and Google Translate have done most of the work. If anyone has any suggestions for how I could better translate certain phrases, please let me know! (Words like [this?] are ones that have odd translations, probably due to the automatic transcript not hearing the correct german word. Corrections will be very much appreciated) ------------------------ DESCRIPTION During our upcoming performances of Salome, anyone looking at the woodwinds of the orchestra pit will see something special: for the production of Richard Strauss' opera, our colleague Katrin Stüble was able to delve in-depth into a rather unknown instrument from the double reed family. She plays the orchestra's own Heckelphone and explains the most important things about this rarely-used instrument. TRANSCRIPT My name is Kathrin Stüble. I have been playing 2nd Oboe and English horn here in the Staatsorchester since 2012, and now for the first time I am playing the Heckelphone in Salome The Heckelphone owes its name to the inventor Wilhelm Heckel. We can see Wilhelm Heckel here on the Heckel company's emblem - they're actually the ones that are also world famous for making Bassoons. The Heckelphone was inspired by Richard Wagner; Wagner came to Mr. Heckel to gave him a [certificate?] about his great Bassoons and Contrabassoons, and said that he was actually missing an instrument in the double-reed family. It should be in the baritone range and should combine the sound of an Oboe with the soft but sonorous sound of an Alphorn And then Wilhelm Heckel put in a lot of effort, experimenting for 25 years, and in 1904 this instrument was created. He was very proud of his new invention and showed it to the public for the first time in Bayreuth in the Wahnfried villa. And then he started an advertising campaign, travelling all over Germany, including Paris, and demonstrated this Heckelphone to all well-known conductors and players Richard Strauss not only [mentioned?] the instrument, he also composed for it in his next major opera, Salome. I think his writing is very beautiful. At the back it says that the opera was played for the first time in 1909, under the direction of Max Schillings. Today I had the dramaturgy confirm that it is the same Max Schillings (or Max von Schillings) who also composed the opera Mona Lisa, which premiered in Stuttgart in 1915. His opera begins with an obbligato Heckelphone, and I will now play the beginning for you What's also interesting is the sound cup down here. You can see it on the English horn, this [advertisement?] down here, that's the so-called "Liebesfuss" of the Oboe d'Amore. With this thing here you probably can't call it a Liebesfuss anymore - it's open here, and there's also a partition like this that you can put on the floor in between. At the bottom there's a metal plate like this and a spike like that you can put on the floor

Sehr schönes Stück und eine beeindruckende Pianistin von Weltformat!

Mentioned in "Middlemarch"!

Thanks! Greets from Chile

❤

Wow, great instrument and sound! Many compliments. Thank you!! 🎼❤

Dieses Video zeigt eindrucksvoll, dass die Harfe mit Sicherheit das am schwierigsten zu lernende Instrument ist. Werden die Pedalstellungen eigentlich auch notiert? Das ist ja eine irre kognitive Leistung, für jeden Takt die Tonart einzustellen... Wahnsinn!

Meine Tochter spielt jetzt Bassflöte im Flötenensemble ihrer Schule.

Chopin's orchestration was sketchy, to say the least, so this adaption is actually a feasible idea. A good interpretation too, even if the rubati were somewhat compromised between piano and "orchestra". Bravo Maestro!

Jean war mein Generalbasslehrer. War ein toller Unterricht.

Grüße gehen raus an Tatjana Tuschenko, aus der Dschungel-Olympiade, die mich mit ihrer Darbietung und diesem Titel jedes mal begeistert hat, in meiner Kindheit. ❤

Der Klang dieses Instruments ist sehr schön, angenehm und fesselnd!

superbe prestation et piano de rêve !!!!

O MELHOR CANAL QUE JÁ VI DE TROMBONES APRESENTADO POR UM EXCELENTE PROFESSOR TROMBONISTA

Die ganzen Grußvergaben sind niedlich :)

Geiles Lied❤❤❤❤❤

Keine Ahnung, ob es an Frau Stühle liegt, aber ich finde, dass das Heckelphon viel schöner klingt, als das E-Horn oder den Fagott.

I used to sing this when I was a young girl. 😊😇

Very god informasjon on this instrument,and very nice playd. Brynjar Hoff

Such a beautiful ethereal sound ☺

Das war ein grossartiges Konzert, das der LIONS-Club im Ettlinger Schloss veranstaltet hat! 👏

Moderne Querflöte 0:52 Piccolo 4:50 Altflöte 5:19 Bassflöte 6:06

One great thing about this perforomance is that the key is set below the usual 440 Hz (The key would be somewhere between D and E-flat) a Baroque rendition, I quiet like

Fantastic! Perfectly transfers Piazzolla’s idiom to the piano! Bravo!

quelle merveille !

Wundervoll

Sie spielen so wunderschön! Danke für die Erklärung :)

0:22 0:52

Diese Vorstellungen der Instrumente sind einfach großartig ❗️Ein herzliches Dankeschön 🙏. Man lernt so viel Neues auf so unterhaltsame Weise 👍😊

Oh wow he does that circular breathing thing

Sehr geehrte Damen und Herren, bitte hören Sie auf elektronische Geige zu spielen. Irgendwann bin ich dran unter Strom Geige zu spielen und wenn´s dumm kommt auch Sie irgendwann. Vergraben und Hersteller überzeugen mit Stil und Professionaliät, dass nur akustische Geigen gefertigt werden sollen. Freundliche Grüße Andreas Hatz

So beautifully done. Thank you.

Великолепная интерпретация этой сонаты, несомненно одной из самых совершенных и плотных в современном пианизме. И даже ....

Bin absoluter Laie, kann nicht verstehen wie er verschiedene Töne spielen kann ohne die Posaune auszuziehen? Sprich; er spielt mehrere Töne auf einer Position. Funktioniert das nur über die Lippen?

BERTA EPPLE "Bio Buff" - aus dem Programm "Hennabrupfa" | Gregor Hübner, Bobbi Fischer, Veit Hübner I like this one for my TV show

I was just reading George Eliot's novel Middlemarch. The character, Rosalind, is to sing Cherry Ripe. Not having heard of the song I came to this site. What a delight to find such a fine rendition. Thank you for sharing and expanding my musical horizons.

Super, voller Genuss am heutigen Sonntag. Danke Samuel. Dank an ALLE, Yolanda

magnifique 🥰merci

Lovely ! I ended up here from a 1927 Dance band version by Jack Paynes Hotel Cecil band,an odd choice for a 20s fox trot but I like it very much as I do this traditional version.

Wunderbar gespielt

At last, not rushing through it to catch a plane........!!!! Anna is a POET!!!!!!!!!!!!! Lovely, paced, real breathing - this is making the piano sing.............

Me encanta, love it

Ein herzlicher Gruß und ein riesiges Dankeschön an meine damalige Musiklehrerin Ursula Balciunas, die uns diesen unglaublichen Zyklus nahegebracht hat!

Tres jolie et fidele a Ravel qui avait approuvé cette version avec entousiasme.BRAVO.

Thank you for uploading this fine transcription of this wonderful chorale! Is the transcription available as a PDF? This great chorale is transcribed too infrequently and this measured and graceful version was a great find!

Lord Tony

Antstanding lord fogliani